Gutter-minded readings of Ovid have a venerable ancient precedent in Martial. As Stephen Hinds points out, the epigrammatist has a particular knack for ‘editorializing on the euphemistic language of elegy by “staining” it, in more or less complicated ways; it can be argued that the intertext between Ovidian and Martialian erotics, as well as differentiating them, tends to give the reader both a more Ovidian Martial and a more Martialian Ovid than before’. The present note will subject a famous and (...) somewhat puzzling Ovidian passage to the kind of treatment that Martial might have given it. The alert reader will notice that this is, on one level, a dodge—an excuse for skirting the issue of Ovid's intentions and abjuring responsibility for whatever ‘staining’ may occur. But perhaps I shall be forgiven if I can show how listening in on an imagined intertextual conversation between two of antiquity's wittiest authors pays dividends in bringing out Martial's Ovidian side, a genius for innuendo combined with literary insight that can be too easily drowned out by his barrage of primary obscenities. (shrink)

As the classic of classics and the bridge between pagan antiquity and the Christian era, Virgil’s Aeneid stands at the center of the humanities’ Great Conversation. Yet this poem of Empire, with its flawed hero and its ambivalence toward divine and temporal power, raises more questions than it answers about the nature of human history. The epic’s true moral complexity, mirroring the insoluble conundrum that is human life, makes it especially relevant in an era whose political polarization resembles civil war. (...) Reflecting on centuries of readers’ deeply personal relationships with the Aeneid, this article discusses how even today the “greatest text” can provide companionship and inspiration on our life’s journey. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Fluctus Irarum, Fluctus Curarum: Lucretian Religio in the AeneidJulia T. DysonTantum religio potuit suadere malorum.(De Rerum Natura 1.101)Tantae molis erat Romanam condere gentem.(Aeneid 1.33)More than formal similarity unites these lines. 1 Lucretius points out the folly of religio, epitomized in Agamemnon’s sacrifice of his own daughter to appease an indifferent goddess; Virgil emphasizes the hardship of founding Rome in the wake of a goddess’s very real persecution. That is, (...) what Lucretius derides as foolish fantasy, Virgil weaves into the fabric of his epic. 2 I argue here that Virgil continually brings to life Epicurean caricatures of religio—that the vengeful gods and fearful mortals whom Lucretius ridicules become the chief actors in the Aeneid.One of Lucretius’ most “revolutionary” inversions of conventional language and assumptions is his paradoxical assertion that religio and pietas are opposites (see Summers 1995, 33). This paradox underlies his philosophical system: men are unhappy and wicked because of their superstitious fear of the gods (religio), and to free them from the “constricting knots of religion” (artis religionum nodis, 4.6–7) is his passionately stated purpose. He asserts that the gods are sublimely indifferent to human affairs and defines pietas as the equanimity that comes from recognizing this indifference, that is, from seeing the folly of conventional religio:O genus infelix humanum, talia divis cum tribuit facta atque iras adiunxit acerbas! quantos tum gemitus ipsi sibi, quantaque nobis vulnera, quas lacrimas peperere minoribu’ nostris! nec pietas ullast velatum saepe videri [End Page 449] vertier ad lapidem atque omnis accedere ad aras nec procumbere humi prostratum et pandere palmas ante deum delubra nec aras sanguine multo spargere quadrupedum nec votis nectere vota, sed mage pacata posse omnia mente tueri.(DRN 5.1194–1203)For the Epicurean, happiness, wisdom, and pietas all consist in surveying the world with a “peaceful mind.” Virgil shows us a world in which such ataraxia is impossible because the central assumptions of Epicureanism are wrong; in particular, the behavior of Aeneas and of the gods illustrates what Lucretius says should not or cannot happen.Aeneas has long been recognized as a sort of proto-Stoic, struggling with variable success to achieve self-control and obedience to Fate. 3 At the beginning of his journey, however, he momentarily resembles an Epicurean philosopher even as he engages in an act of conventional pietas. When his attempts to uproot a small tree to deck his altar twice cause the bark to drip blood (3.24–29), he tries to discover the hidden cause of this bizarre phenomenon: “mihi frigidus horror membra quatit gelidusque coit formidine sanguis. rursus et alterius lentum convellere vimen insequor et causas penitus temptare latentis ; ater et alterius sequitur de cortice sanguis. multa movens animo Nymphas venerabar agrestis Gradivumque patrem, Geticis qui praesidet arvis, rite secundarent visus omenque levarent.”(Aen. 3.29–36)These lines have a peculiar resonance with one of the most important and controversial passages in the Georgics (2.475–512). In this passage the poet first longs for the ability to explain natural phenomena (like Lucretius), then concedes that if cold fear should prevent him from attaining to this knowledge, he would settle for bucolic seclusion and rustic religio:sin has ne possim naturae accedere partis frigidus obsteterit circum praecordia sanguis, rura mihi et rigui placeant in vallibus amnes, [End Page 450] flumina amem silvasque inglorius. o ubi campi Spercheosque et virginibus bacchata Lacaenis Taygeta! o qui me gelidis convallibus Haemi sistat, et ingenti ramorum protegat umbra! felix qui potuit rerum cognoscere causas, atque metus omnis et inexorabile fatum subiecit pedibus strepitumque Acherontis avari; fortunatus et ille deos qui novit agrestis, Panaque Silvanumque senem Nymphasque sorores.(Geo. 2.483–92)It may seem strange that this passage should have anything to do with Aeneas in Thrace, but the verbal echoes and parallels of thought are striking: an image of chilled blood is followed first by a desire to know the underlying causes of things, then, failing that, by an appeal to rustic religio, symbolized (among other things) by rural nymphs. Most readers see a reference to Lucretius in the line felix qui potuit rerum cognoscere causas (see Dyson 1994... (shrink)

This article argues that an intentional acrostic spanning the first five lines of Propertius’ elegy for Cynthia's birthday (3.10), MANE[T], contributes significantly to the poignancy and purpose of the poem. MANE can be read as māne, ‘in the morning’, or manē, ‘stay!’, both of which emphasize the fleeting nature of dawn—and of Cynthia's youthful beauty. MANET can suggest both ‘[art] remains’ and ‘[death] awaits’. All four of these meanings work together to capture the tension between human transience and artistic immortality. (...) The theme is further enhanced by a balancing reverse telestich at the poem's end, ROSA RVES (‘[a] rose, you will fall to ruin’). (shrink)

The conflict between Jupiter and Juno in the Aeneid is commonly read as a battle between the forces of order and chaos . The present article argues that this schematization, though morally and aesthetically satisfying, fails to account for most of the data. Virgil's Jupiter is in fact concerned solely with power and adulation , despite persistent attempts by readers—and characters in the poem—to see him as benign. By systematically discussing every appearance of Jupiter in the poem, the article seeks (...) to correct the distorted or incomplete views of the god that arise from selective examination. The first section looks at Jupiter's own speeches to illustrate his motivations. The second section demonstrates how these motivations, though frequently misconstrued by the human characters, are confirmed by the glimpses of Jupiter focalized through the omniscient narrator. The third discusses the implications of this portrait of Jupiter for Virgil's vision of Rome and of human happiness. (shrink)

Dido's Epicureanism is as complex and problematic as Aeneas' much-discussed Stoicism. This paper argues that Virgil's allusions to Lucretius form a consistent pattern: Dido embodies the ironies inherent in Epicureanism as practiced by Virgil's contemporaries, mouthing apparently Lucretian sentiments even as she comes to personify a Lucretian exemplum malum. Yet her fall is largely due to the pervasive supernatural machinery of the Aeneid-divine intervention which Lucretius declares impossible. In Book 1, Virgil employs Lucretian allusions in distinctly un-Lucretian contexts to suggest (...) in Dido a disjunction between words and actions. There is a Lucretian flavor in the description of her initial equanimity, in her injunction to the Trojans to put away fear and cares, and in the scientific rationalism of the song of Iopas. These passages contrast with the sensualism evident in her lavish court and her growing passion for Aeneas-excesses of luxury and love described in words that Lucretius used to condemn them. In Book 4, Virgil more directly refutes Lucretian doctrine about the mortality of the soul and the indifference of the gods. The sarcastic questions of Anna and Iarbas are implicitly answered in such a way as to refute the Epicurean stance. Dido points to the gods' indifference a few seconds before she invokes their aid, and her final submission to Fate occurs in words that Lucretius used to deny its existence. Finally, the departure of Dido's soul recalls Lucretius' atoms of "heat and wind," in ironic contrast to the immortality of her Shade. (shrink)

On his way to convey Jupiter's rebuke to Aeneas, Mercury passes by his maternal grandfather Atlas, a mountain vividly personified as an old man with snowy beard/frozen rivers running down his chin . Here he pauses, then flings himself into the waves.

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 124.2 (2003) 317-320 [Access article in PDF] Julia T. Dyson. King of the Wood: The Sacrificial Victor in Virgil's Aeneid. Oklahoma Series in Classical Culture 27. Norman: University of Oklahoma Press, 2001. xii + 264 pp. Paper, $19.95. In this interesting study, Julia Dyson argues that the cult of Diana Nemorensis constitutes a crucial intertext for the interpretation of Aeneas' killing (...) of Turnus at the end of Virgil's Aeneidand the politico-religious order his action founds, namely, the Roman Empire. The project takes its bearings from the current renewal of scholarly interest in religion and sacrifice in Roman literature (e.g., Denis Feeney, Literature and Religion at Rome: Cultures, Contexts, and Beliefs [Cambridge, 1998] and Philip Hardie, The Epic Successors of Virgil[Cambridge, 1993]). In the first part of the book, "Sacrificial Victory," Dyson revisits the much-discussed scenes in which sacrifice, both literal (Laocoön's rites in Troy, Aeneas' in Thrace) and symbolic (the deaths of Laocoön, Palinurus, Misenus, etc.), are described. In the second part, "The Ghastly Priest," Dyson breaks new ground by focusing on specific details of the ritual in Diana's Arician grove and their evocation in the Aeneid, rather than appealing to an abstract concept of "sacrifice," to document a systematic pattern of allusion to the cult throughout the poem. The resulting work advances our understanding of Virgil's use of an important cult in Roman religion to give thematic coherence to his poem.Each part comprises six chapters. Part 1 examines the poem's various sacrifice-scenes, which have received considerable attention in the scholarly literature—e.g., C. Bandera, "Sacrificial Levels in Virgil's Aeneid" (Arethusa14, 1981, 217-39) and J. J. O'Hara, Death and the Optimistic Prophecy in Vergil's Aeneid(Princeton, 1990). Dyson is particularly concerned, however, to demonstrate that sacrifice fails consistently in the poem in order to develop the argument that Aeneas' death is demanded as the final sacrifice in the sequence. In her first chapter, "The Piaculaof Aeneas," she shows that Aeneas repeatedly fails to conduct sacrificial rites correctly, a failure that necessarily entails the gods' unceasing demand for further sacrifices. Chapter 2, "Tiber and Numicus," explores Virgil's allusions to the sacrificial fate of Aeneas—implied in the two divergent traditions of his end (either drowned or translated to heaven and deified while offering sacrifice on the banks of the river Numicus)—through the association, on the one hand, of Tiber with Numicus and, on the other, of Aeneas with Palinurus and other "sacrificial" victims.In chapter 3, "The Unburied Dead," Dyson develops her thesis further by demonstrating that such sacrificial deaths—often at sea and involving lack of burial—proliferate in the poem (Palinurus, Orontes, Leucaspis, Misenus, Caieta, Priam, Tarquitus) and thereby, she argues, prefigure the ultimate fate of Aeneas. Chapter 4, "Victor and Victim," examines instances of role-reversal in which sacrificer is transformed into sacrificial victim, not only in overtly religious contexts (as, e.g., Laocoön) but also, indeed primarily, on the battlefield in combat scenes which Virgil frequently invests with sacrificial detail. The diverse themes of rivers, sacrifice, and victory come together [End Page 317] in chapter 5, "Aeneas and Turnus," where Dyson analyses Aeneas' killing of Turnus (who is characterized, she argues, by association with the Tiber) in the final duel as a sacrifice that "both foreshadows and necessitates the sacrifice of Aeneas" (112). The last chapter in Part 1, "Juno's Honores," argues that Jupiter's promise to his consort that the Romans will outdo other nations in honoring her (Aen. 12.838-40) must be interpreted against Juno's demand for proper honors (i.e., sacrifices) at the poem's outset (1.46-49), a demand that can only be satisfied by further sacrifices—including that of Aeneas himself.Part 1 contains much interesting and innovative discussion of sacrifice along with some inevitable rehearsal of well-trodden ground, but it certainly establishes Dyson's thesis that Virgil alludes throughout the Aeneidto Aeneas' sacrificial... (shrink)

As an approach to public engagement, deliberation has the potential to pursue a range of goals identified by public participation theorists including the opportunity to substantively inform policy processes, increase the public’s knowledge and understanding of public issues and create or restore loss of public trust and confidence in public institutions. Baum and colleagues (2009) offer several important take-home messages for policy makers and public health leaders about the value of engaging with the public about ethically challenging, value-laden and resource (...) intensive policy issues such as pandemic response planning. (shrink)

During the past thirty years in the social sciences, there has been a wide-ranging discussion of “class politics” in capitalist modernity. Several distinct threads have developed, largely in isolation from each other. The authors suggest that the various accounts implicitly rely on different definitions of class politics and propose a way to classify them. The classification is based on two questions: first, whether changes in the strength of the left depend on the working class specifically or on cross-class dynamics and, (...) second, whether emergent class differences in politics are largely spontaneous or constructed. The authors use this classification to assess the prospects for testing the empirical implications of different accounts and point to the more general insights potentially offered by each approach. (shrink)

ABSTRACT:Biomedical and philosophical traditions postulate the experience of pain either as quantifiable or as sociocultural phenomena. This critical assessment offers a close reading of Lara Parker’s Vagina Problems: Endometriosis, Painful Sex, and Other Taboo Topics (2020) and Abby Norman’s Ask Me About My Uterus: A Quest to Make Doctors Believe in Women’s Pain (2018), analyzing the authors’ use of language as a tool to comprehend and communicate pain. Norman’s and Parker’s memoirs narrate the lived experience of endometriosis, a condition diagnosed (...) almost exclusively in women and characterized by chronic pain. The essay looks at how metaphors are employed in living and narrating endometriosis in medical, social, and cultural settings that are highly skeptical of women’s pain and trace a shift in the use of pain metaphors towards an acceptance of the pain experience, which is conceptualized as empowering by the climax of the narrative. (shrink)

This lively and accessible book focuses on the philosophy and argument of Plato's writings, drawing the reader into Plato's way of doing philosophy and the general themes of his thinking. It discusses Plato's style of writing: his use of the dialogue form, his use of what we today call fiction, and his philosophical transformation of myths. It also looks at his discussions of love and philosophy, his attitude towards women, and towards homosexual love. It explores Plato's claim that virtue is (...) sufficient for happiness and touches on his arguments for the immorality of the soul and his ideas about the nature of the universe. (shrink)

Recently, scholars have looked more closely at the philosophical importance of the imaginative and literary aspects of Plato's writing, and have begun to appreciate the methods of ancient philosophers and commentators who studied Plato. This study brings together leading philosophical and literary scholars to investigate these new-old approaches.

In the Stoics we find a combination of two perspectives which are commonly thought to conflict: the embedded perspective from within one's social context, and the universal perspective of the member of the moral community of rational beings. I argue that the Stoics do have a unified theory, one which avoids problems that trouble some modern theories which try to unite these perspectives.

In all the literature about ethical dilemmas facing the accounting practitioner little attention has been paid to those which arise from the accountant's role in the process of accounting regulation. This treatment explores that role in the light of differing national modes of accounting regulation, economic impact issues in accounting regulation, some ethical principles and a number of different national illustrations. John Blake is Professor of Accounting in the Department of Accounting and Financial Services at the University of Central Lancashire, (...) Preston PR1 2HE, in which Catherine Gowthorpe is Principal Lecturer, while Julia Clarke is a member of the Department of Business Studies, Manchester Metropolitan University, Aytoun Building, Aytoun Street, Manchester M1 3GH. (shrink)

The article presents the results of research on the relationship between social support and self-care of people with myocardial infarction. 127 patients treated in a rehabilitation centre participated in the study. The Inventory of Socially Supportive Behaviours and the Self-care Questionnaire developed by the author, were used. The findings suggest that persons receiving little support are characterised by lower level of self-care than people with medium and high level of support. No such difference was noted between people with medium and (...) high support level. This suggests that social support is of considerable importance for the changes in the level of self-care only in the case of people previously receiving little support. The research also indicates that informational support is related to higher level of self-care whereas instrumental support is related to lower level of self-care. Emotional support was significant only for the care for social functioning. (shrink)

In this text, the authors confront the many issues which can confuse, frighten or ensnare young people as they struggle to make their own decisions in a world where the hard edges of moral choice have become increasingly blurred. Issues such as drug abuse and abortion are explored in their secular context, while also being placed under the microscope of both Biblical and church teaching. The positions of the Roman Catholic, Church of Ireland, Prebyterian and Methodist churches are examined through (...) their own statements and publications. (shrink)

DieBeratungklinische EthikberatungArzt-Patienten-BeziehungArztArzt-Patientenbeziehung ist durch ein asymmetrisches Verhältnis geprägt, welches sich bereits aus den Umständen seines Zustandekommens ergibt. Der Patient begegnet dem Arzt in einer Situation existentieller NotNot als jemand, der unter Schmerzen und/oder Angst leidet und Hilfe sucht. Er ist dabei angewiesen auf ein vertrauensvolles Verhältnis zu seinem Arzt, der seine Sorgen und Ängste ernstnimmt und durch seine Fachkompetenz die vorliegende KrankheitKrankheit feststellen und heilen oder zumindest lindern kann.

Name der Zeitschrift: Frühmittelalterliche Studien Jahrgang: 52 Heft: 1 Seiten: 157-187.

Partiendo de las coordenadas en que se ubica el sistema de I+D desde nuestro ingreso en la Unión Europea, se hace un análisis de los desafíos (institucional, cooperativo y tecnológico) que tienen planteados las bibliotecas al servicio de la investigación, así como del lugar que ocupan en dicho sistema, viendo las necesidades de las futuras bibliotecas y las exigencias requeridas a los nuevos bibliotecarios.

This special volume of Oxford Studies in Ancient Philosophy presents sixteen specially written essays on virtue and happiness, and the treatment of these topics by thinkers from the fifth century BC to the third century AD. It is published in honour of Julia Annas--one of the leading scholars in the field.

The book's methodology is set out: we must be critically aware of the theoretical assumptions we bring to the study of ancient ethics, or we risk importing anachronism. The limits of the ancient evidence should also be respected. We must also be aware of the structures of modern ethical theories and prepared to find that ancient theories differ. The ancient traditions and their major sources are listed: Aristotle, Stoics, Sceptics, Cyrenaics, Epicurus and hybrid theories.

This book examines cultural recognition and the struggle for identity in America's schools. In particular, the contributing authors focus on the recognition and misrecognition as antagonistic cultural forces that work to shape, and at times distort identity.

Ancient ethical theories produce differing accounts of happiness, depending on their position on the nature and importance of virtue. These are important debates, recognizably on the same topic as modern debates about the nature and importance of morality. In the ancient debates Aristotelian and Stoic views can both draw on compelling arguments, and no simple resolution is obvious.