Gutter-minded readings of Ovid have a venerable ancient precedent in Martial. As Stephen Hinds points out, the epigrammatist has a particular knack for ‘editorializing on the euphemistic language of elegy by “staining” it, in more or less complicated ways; it can be argued that the intertext between Ovidian and Martialian erotics, as well as differentiating them, tends to give the reader both a more Ovidian Martial and a more Martialian Ovid than before’. The present note will subject a famous and (...) somewhat puzzling Ovidian passage to the kind of treatment that Martial might have given it. The alert reader will notice that this is, on one level, a dodge—an excuse for skirting the issue of Ovid's intentions and abjuring responsibility for whatever ‘staining’ may occur. But perhaps I shall be forgiven if I can show how listening in on an imagined intertextual conversation between two of antiquity's wittiest authors pays dividends in bringing out Martial's Ovidian side, a genius for innuendo combined with literary insight that can be too easily drowned out by his barrage of primary obscenities. (shrink)

As the classic of classics and the bridge between pagan antiquity and the Christian era, Virgil’s Aeneid stands at the center of the humanities’ Great Conversation. Yet this poem of Empire, with its flawed hero and its ambivalence toward divine and temporal power, raises more questions than it answers about the nature of human history. The epic’s true moral complexity, mirroring the insoluble conundrum that is human life, makes it especially relevant in an era whose political polarization resembles civil war. (...) Reflecting on centuries of readers’ deeply personal relationships with the Aeneid, this article discusses how even today the “greatest text” can provide companionship and inspiration on our life’s journey. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Fluctus Irarum, Fluctus Curarum: Lucretian Religio in the AeneidJulia T. DysonTantum religio potuit suadere malorum.(De Rerum Natura 1.101)Tantae molis erat Romanam condere gentem.(Aeneid 1.33)More than formal similarity unites these lines. 1 Lucretius points out the folly of religio, epitomized in Agamemnon’s sacrifice of his own daughter to appease an indifferent goddess; Virgil emphasizes the hardship of founding Rome in the wake of a goddess’s very real persecution. That is, (...) what Lucretius derides as foolish fantasy, Virgil weaves into the fabric of his epic. 2 I argue here that Virgil continually brings to life Epicurean caricatures of religio—that the vengeful gods and fearful mortals whom Lucretius ridicules become the chief actors in the Aeneid.One of Lucretius’ most “revolutionary” inversions of conventional language and assumptions is his paradoxical assertion that religio and pietas are opposites (see Summers 1995, 33). This paradox underlies his philosophical system: men are unhappy and wicked because of their superstitious fear of the gods (religio), and to free them from the “constricting knots of religion” (artis religionum nodis, 4.6–7) is his passionately stated purpose. He asserts that the gods are sublimely indifferent to human affairs and defines pietas as the equanimity that comes from recognizing this indifference, that is, from seeing the folly of conventional religio:O genus infelix humanum, talia divis cum tribuit facta atque iras adiunxit acerbas! quantos tum gemitus ipsi sibi, quantaque nobis vulnera, quas lacrimas peperere minoribu’ nostris! nec pietas ullast velatum saepe videri [End Page 449] vertier ad lapidem atque omnis accedere ad aras nec procumbere humi prostratum et pandere palmas ante deum delubra nec aras sanguine multo spargere quadrupedum nec votis nectere vota, sed mage pacata posse omnia mente tueri.(DRN 5.1194–1203)For the Epicurean, happiness, wisdom, and pietas all consist in surveying the world with a “peaceful mind.” Virgil shows us a world in which such ataraxia is impossible because the central assumptions of Epicureanism are wrong; in particular, the behavior of Aeneas and of the gods illustrates what Lucretius says should not or cannot happen.Aeneas has long been recognized as a sort of proto-Stoic, struggling with variable success to achieve self-control and obedience to Fate. 3 At the beginning of his journey, however, he momentarily resembles an Epicurean philosopher even as he engages in an act of conventional pietas. When his attempts to uproot a small tree to deck his altar twice cause the bark to drip blood (3.24–29), he tries to discover the hidden cause of this bizarre phenomenon: “mihi frigidus horror membra quatit gelidusque coit formidine sanguis. rursus et alterius lentum convellere vimen insequor et causas penitus temptare latentis ; ater et alterius sequitur de cortice sanguis. multa movens animo Nymphas venerabar agrestis Gradivumque patrem, Geticis qui praesidet arvis, rite secundarent visus omenque levarent.”(Aen. 3.29–36)These lines have a peculiar resonance with one of the most important and controversial passages in the Georgics (2.475–512). In this passage the poet first longs for the ability to explain natural phenomena (like Lucretius), then concedes that if cold fear should prevent him from attaining to this knowledge, he would settle for bucolic seclusion and rustic religio:sin has ne possim naturae accedere partis frigidus obsteterit circum praecordia sanguis, rura mihi et rigui placeant in vallibus amnes, [End Page 450] flumina amem silvasque inglorius. o ubi campi Spercheosque et virginibus bacchata Lacaenis Taygeta! o qui me gelidis convallibus Haemi sistat, et ingenti ramorum protegat umbra! felix qui potuit rerum cognoscere causas, atque metus omnis et inexorabile fatum subiecit pedibus strepitumque Acherontis avari; fortunatus et ille deos qui novit agrestis, Panaque Silvanumque senem Nymphasque sorores.(Geo. 2.483–92)It may seem strange that this passage should have anything to do with Aeneas in Thrace, but the verbal echoes and parallels of thought are striking: an image of chilled blood is followed first by a desire to know the underlying causes of things, then, failing that, by an appeal to rustic religio, symbolized (among other things) by rural nymphs. Most readers see a reference to Lucretius in the line felix qui potuit rerum cognoscere causas (see Dyson 1994... (shrink)

This article argues that an intentional acrostic spanning the first five lines of Propertius’ elegy for Cynthia's birthday (3.10), MANE[T], contributes significantly to the poignancy and purpose of the poem. MANE can be read as māne, ‘in the morning’, or manē, ‘stay!’, both of which emphasize the fleeting nature of dawn—and of Cynthia's youthful beauty. MANET can suggest both ‘[art] remains’ and ‘[death] awaits’. All four of these meanings work together to capture the tension between human transience and artistic immortality. (...) The theme is further enhanced by a balancing reverse telestich at the poem's end, ROSA RVES (‘[a] rose, you will fall to ruin’). (shrink)

The conflict between Jupiter and Juno in the Aeneid is commonly read as a battle between the forces of order and chaos . The present article argues that this schematization, though morally and aesthetically satisfying, fails to account for most of the data. Virgil's Jupiter is in fact concerned solely with power and adulation , despite persistent attempts by readers—and characters in the poem—to see him as benign. By systematically discussing every appearance of Jupiter in the poem, the article seeks (...) to correct the distorted or incomplete views of the god that arise from selective examination. The first section looks at Jupiter's own speeches to illustrate his motivations. The second section demonstrates how these motivations, though frequently misconstrued by the human characters, are confirmed by the glimpses of Jupiter focalized through the omniscient narrator. The third discusses the implications of this portrait of Jupiter for Virgil's vision of Rome and of human happiness. (shrink)

Dido's Epicureanism is as complex and problematic as Aeneas' much-discussed Stoicism. This paper argues that Virgil's allusions to Lucretius form a consistent pattern: Dido embodies the ironies inherent in Epicureanism as practiced by Virgil's contemporaries, mouthing apparently Lucretian sentiments even as she comes to personify a Lucretian exemplum malum. Yet her fall is largely due to the pervasive supernatural machinery of the Aeneid-divine intervention which Lucretius declares impossible. In Book 1, Virgil employs Lucretian allusions in distinctly un-Lucretian contexts to suggest (...) in Dido a disjunction between words and actions. There is a Lucretian flavor in the description of her initial equanimity, in her injunction to the Trojans to put away fear and cares, and in the scientific rationalism of the song of Iopas. These passages contrast with the sensualism evident in her lavish court and her growing passion for Aeneas-excesses of luxury and love described in words that Lucretius used to condemn them. In Book 4, Virgil more directly refutes Lucretian doctrine about the mortality of the soul and the indifference of the gods. The sarcastic questions of Anna and Iarbas are implicitly answered in such a way as to refute the Epicurean stance. Dido points to the gods' indifference a few seconds before she invokes their aid, and her final submission to Fate occurs in words that Lucretius used to deny its existence. Finally, the departure of Dido's soul recalls Lucretius' atoms of "heat and wind," in ironic contrast to the immortality of her Shade. (shrink)

On his way to convey Jupiter's rebuke to Aeneas, Mercury passes by his maternal grandfather Atlas, a mountain vividly personified as an old man with snowy beard/frozen rivers running down his chin . Here he pauses, then flings himself into the waves.

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 124.2 (2003) 317-320 [Access article in PDF] Julia T. Dyson. King of the Wood: The Sacrificial Victor in Virgil's Aeneid. Oklahoma Series in Classical Culture 27. Norman: University of Oklahoma Press, 2001. xii + 264 pp. Paper, $19.95. In this interesting study, Julia Dyson argues that the cult of Diana Nemorensis constitutes a crucial intertext for the interpretation of Aeneas' killing (...) of Turnus at the end of Virgil's Aeneidand the politico-religious order his action founds, namely, the Roman Empire. The project takes its bearings from the current renewal of scholarly interest in religion and sacrifice in Roman literature (e.g., Denis Feeney, Literature and Religion at Rome: Cultures, Contexts, and Beliefs [Cambridge, 1998] and Philip Hardie, The Epic Successors of Virgil[Cambridge, 1993]). In the first part of the book, "Sacrificial Victory," Dyson revisits the much-discussed scenes in which sacrifice, both literal (Laocoön's rites in Troy, Aeneas' in Thrace) and symbolic (the deaths of Laocoön, Palinurus, Misenus, etc.), are described. In the second part, "The Ghastly Priest," Dyson breaks new ground by focusing on specific details of the ritual in Diana's Arician grove and their evocation in the Aeneid, rather than appealing to an abstract concept of "sacrifice," to document a systematic pattern of allusion to the cult throughout the poem. The resulting work advances our understanding of Virgil's use of an important cult in Roman religion to give thematic coherence to his poem.Each part comprises six chapters. Part 1 examines the poem's various sacrifice-scenes, which have received considerable attention in the scholarly literature—e.g., C. Bandera, "Sacrificial Levels in Virgil's Aeneid" (Arethusa14, 1981, 217-39) and J. J. O'Hara, Death and the Optimistic Prophecy in Vergil's Aeneid(Princeton, 1990). Dyson is particularly concerned, however, to demonstrate that sacrifice fails consistently in the poem in order to develop the argument that Aeneas' death is demanded as the final sacrifice in the sequence. In her first chapter, "The Piaculaof Aeneas," she shows that Aeneas repeatedly fails to conduct sacrificial rites correctly, a failure that necessarily entails the gods' unceasing demand for further sacrifices. Chapter 2, "Tiber and Numicus," explores Virgil's allusions to the sacrificial fate of Aeneas—implied in the two divergent traditions of his end (either drowned or translated to heaven and deified while offering sacrifice on the banks of the river Numicus)—through the association, on the one hand, of Tiber with Numicus and, on the other, of Aeneas with Palinurus and other "sacrificial" victims.In chapter 3, "The Unburied Dead," Dyson develops her thesis further by demonstrating that such sacrificial deaths—often at sea and involving lack of burial—proliferate in the poem (Palinurus, Orontes, Leucaspis, Misenus, Caieta, Priam, Tarquitus) and thereby, she argues, prefigure the ultimate fate of Aeneas. Chapter 4, "Victor and Victim," examines instances of role-reversal in which sacrificer is transformed into sacrificial victim, not only in overtly religious contexts (as, e.g., Laocoön) but also, indeed primarily, on the battlefield in combat scenes which Virgil frequently invests with sacrificial detail. The diverse themes of rivers, sacrifice, and victory come together [End Page 317] in chapter 5, "Aeneas and Turnus," where Dyson analyses Aeneas' killing of Turnus (who is characterized, she argues, by association with the Tiber) in the final duel as a sacrifice that "both foreshadows and necessitates the sacrifice of Aeneas" (112). The last chapter in Part 1, "Juno's Honores," argues that Jupiter's promise to his consort that the Romans will outdo other nations in honoring her (Aen. 12.838-40) must be interpreted against Juno's demand for proper honors (i.e., sacrifices) at the poem's outset (1.46-49), a demand that can only be satisfied by further sacrifices—including that of Aeneas himself.Part 1 contains much interesting and innovative discussion of sacrifice along with some inevitable rehearsal of well-trodden ground, but it certainly establishes Dyson's thesis that Virgil alludes throughout the Aeneidto Aeneas' sacrificial... (shrink)

The long section on knowledge and the philosopher in books V–VII of the Republic is undoubtedly the most famous passage in Plato's work. So it is perhaps a good idea to begin by stressing how very peculiar, and in many ways elusive, it is. It is exciting, and stimulating, but extremely hard to understand.

Sorensen offers the following definition of a ‘knowledge-lie’: ‘An assertion that p is a knowledge-lie exactly if intended to prevent the addressee from knowing that p is untrue but is not intended to deceive the addressee into believing p.’ According to Sorensen, knowledge-lies are not meant to deceive their addressee, and this fact is supposed to make them less bad than ordinary lies. I will argue that standard cases of knowledge-lies, including almost all the cases Sorensen considers, do in fact (...) involve deception, contrary to what Sorensen claims. And while there are cases of non-deceptive knowledge-lies, such cases are deviant, either because it is only incidental that the knowledge-preventing assertion is a lie, or because it is only incidental that the lie doesn't deceive. Here's an example of a knowledge-lie: Dr Head is considering firing Dr Appendix because of his weak research. But he doesn't want to fire Appendix unless he knows that Appendix's research isn't good, and so he consults Dr Heart. Head knows that if Appendix's research is good, then Heart will tell the truth and say so, whereas if Appendix's work isn't good, then Heart may or may not …. (shrink)

As an approach to public engagement, deliberation has the potential to pursue a range of goals identified by public participation theorists including the opportunity to substantively inform policy processes, increase the public’s knowledge and understanding of public issues and create or restore loss of public trust and confidence in public institutions. Baum and colleagues (2009) offer several important take-home messages for policy makers and public health leaders about the value of engaging with the public about ethically challenging, value-laden and resource (...) intensive policy issues such as pandemic response planning. (shrink)

During the past thirty years in the social sciences, there has been a wide-ranging discussion of “class politics” in capitalist modernity. Several distinct threads have developed, largely in isolation from each other. The authors suggest that the various accounts implicitly rely on different definitions of class politics and propose a way to classify them. The classification is based on two questions: first, whether changes in the strength of the left depend on the working class specifically or on cross-class dynamics and, (...) second, whether emergent class differences in politics are largely spontaneous or constructed. The authors use this classification to assess the prospects for testing the empirical implications of different accounts and point to the more general insights potentially offered by each approach. (shrink)

Recently, society and the accounting profession have become increasingly concerned with ethics. Accounting researchers have responded by attempting to investigate and analyze the ethical behavior of accountants. While the current state of ethical behavior among practitioners is important, the ability of accountants to detect ethical problems that may not be obvious should also be studied and understood. This study addresses three questions: (1) are auditors alert to ethical issues; (2) if so, how important do they perceive them to be; and (...) (3) what factors affect their sensitivity threshold and their perceptions of the importance of the issues?Most of the prior research in accounting ethics presents subjects with scenarios that contain an obvious ethical issue, and subjects realize that they are participating in an ethics study. In the present study, the ethical problems are integrated into general accounting situations in order to discover the sensitivity of accounting professionals to them. This study defines ethical sensitivity as the ability to interpret a given situation and to realize that a moral problem exists. (shrink)

Rationality (or something similar) is usually given as the relevant difference between all humans and animals; the reason humans do but animals do not deserve moral consideration. But according to the Argument from Marginal Cases not all humans are rational, yet if such (marginal) humans are morally considerable despite lacking rationality it would be arbitrary to deny animals with similar capacities a similar level of moral consideration. The slippery slope objection has it that although marginal humans are not strictly speaking (...) morally considerable, we should give them moral consideration because if we do not we will slide down a slippery slope where we end up by not giving normal humans due consideration. I argue that this objection fails to show that marginal humans have the kind of direct moral status proponents of the slippery slope argument have in mind. (shrink)

Leibniz maintains that even though God’s intellect contains all possibles, some of these possibles are not compossible. This incompossibility of some possibles is supposed to explain which collections of possibles are possible worlds and why God does not actualize the collection of all possibles. In order to fully understand how this works, we need to establish what precisely Leibniz takes to be the source of incompossibility, that is, which divine attribute or faculty gives rise to the incompossibility of certain possibles. (...) Different interpretations answer this question in different ways. This chapter explores the role that God’s faculties play on some of the standard interpretations of Leibniz’s notion of incompossibility and argues that we are faced with a dilemma: even though incompossibility must somehow arise from God’s faculties, none of the faculties usually distinguished seems up to the task. To escape this dilemma, we need to revise the traditional understanding of the divine faculties. More specifically, we need to recognize wisdom as an attribute that is distinct from intellect, power, and will and that is the source of incompossibility. (shrink)

The thesis of this paper is that there is an important asymmetry between a duty to love and a duty to not love: there is no duty to love as a fitting response to someone’s very good qualities, but there is a duty to not love as a fitting response to someone’s very bad qualities. The source of the asymmetry that I discuss is the two-part understanding of love: the emotional part and the evaluative commitment part. One cannot directly, or (...) “at will,” control an emotional response, but one can undermine any commitment one would normally have under the circumstances. Thus, the feeling of love is not a duty, though being disposed to act a certain way with respect to the person one has the feelings for is controllable. (shrink)

The solution frequently being advocated to a range of regulatory and indeed constitutional questions is to devise procedures for participation, for democratization. The aim of this article is to explore just what the shift to procedures and to participation might involve. The article will appear in this Journal in two parts. The first part distinguishes between two possible forms of proceduralization: «thin» proceduralization, based on a liberal model of democracy, and «thick» proceduralization, based on deliberative models of democracy. In exploring (...) the latter, the article takes as its starting point the work of Habermas. Given the richness and complexity of his argument the development of the notion of thick proceduralization necessarily occurs in part through a critique of his work, for it is argued that although Habermas may provide an important starting point, his work cannot also be the end point of the debate. The second part of the article will discuss the modifications that may need to be made for «thick» proceduralization to be adopted as a regulatory strategy. (shrink)

ABSTRACT:Biomedical and philosophical traditions postulate the experience of pain either as quantifiable or as sociocultural phenomena. This critical assessment offers a close reading of Lara Parker’s Vagina Problems: Endometriosis, Painful Sex, and Other Taboo Topics (2020) and Abby Norman’s Ask Me About My Uterus: A Quest to Make Doctors Believe in Women’s Pain (2018), analyzing the authors’ use of language as a tool to comprehend and communicate pain. Norman’s and Parker’s memoirs narrate the lived experience of endometriosis, a condition diagnosed (...) almost exclusively in women and characterized by chronic pain. The essay looks at how metaphors are employed in living and narrating endometriosis in medical, social, and cultural settings that are highly skeptical of women’s pain and trace a shift in the use of pain metaphors towards an acceptance of the pain experience, which is conceptualized as empowering by the climax of the narrative. (shrink)

This article explores the scope and limits of the model of “polis religion” as one of the most powerful interpretative concepts in current scholarship in the field. It examines the notion of the ‘embeddedness’ of ancient Greek religion in the polis as well as the unity and diversity of Greek religious beliefs and practices, and discusses in how far the model is able to capture developments beyond the Classical period. The article looks at religious phenomena and forms of religious organization (...) above and below the polis level. I argue that the strengths of the model lie in its capacity to explain an important structuring principle of ancient Greek religion. The weaknesses of the model are due to the fact that it is focused too narrowly on the polis as the primary discourse of power relevant for the study of ancient Greek religion. (shrink)

Elinor Mason has provided an account of blame and blameworthiness that is pluralistic. There are, broadly speaking, three ways in which we aptly blame -- and ordinary sense, directed at those with poor quality of the will, and then a detached sense and an extended sense, in which blame is aptly directed towards those without poor quality of the will as it is normally understood. In this essay I explore and critically discuss Mason's account. While I argue that she has (...) identified interesting aspects of the way in which we hold people morally responsible, I disagree with certain features of the account, in particular, that ordinary blame issues in demands and that there is any deep sense in which we can simply decide to take on responsibility. (shrink)

Early Polemical Writings covers the young Kierkegaard's works from 1834 through 1838. His authorship begins, as it was destined to end, with polemic. Kierkegaard's first published article touches on the theme of women's emancipation, and the other articles from his student years deal with freedom of the press. Modern readers can see the seeds of Kierkegaard's future career these early pieces. In "From the Papers of One Still Living," his review of Hans Christian Andersen's novel Only a Fiddler, Kierkegaard rejects (...) the notion that environment is decisive in determining the fate of genius. He also puts forward his belief that each person needs a life-view or life for which and by which to live, a thought he explores further in the comic play The Battle between the Old and the New Soap-Cellars. (shrink)

According to orthodox semantics, a given sentence as used at a given situation expresses at most one content. In the last decade, this view has been challenged with several objections. Many of them have been addressed in the literature. But one has gone almost unheeded. It stems from sentences that are used to address several people individually, like ‘Jesus loves you!’ as uttered by a priest at a sermon. Cappelen :23–46, 2008), Egan :251–279, 2009), López de Sa :241–253, 2014), and (...) MacFarlane claim that, to account for such cases, one has to adopt a pluralist semantics, according to which the sentences in question express more than one content. In this paper, I shall counter this objection. Exploiting different so far underappreciated features of singular and plural ‘you,’ I argue, orthodox semantics can very well account for the cases in question. (shrink)

What do the terms “profession, professional, professionalism” mean in 2002? One dictionary defines profession as “a calling requiring specialized knowledge and often long and intensive academic preparation,” and it defines professionalism as “the conduct, aims, or qualities that characterize or make a profession or professional person.” These definitions are appealingly simple. Complexity arises when we add the term “medical” as in the medical profession, a medical professional, or medical professionalism; and, here a specific understanding of “the conduct, aims, and qualities (...) that characterize” the field of medicine is required. To complicate matters, professionalism applies to both the profession as a whole as well as the individual professional persons, such as the physicians. (shrink)

Can moral theories of the kind Evagrius Ponticus upheld be useful today? Is his ethics one of many other virtue ethical theories or is it something else entirely? I argue that Evagrius’s theory of virtue is an instance of traditional Christian moral theory. Moreover, as a Christian theory, Evagrius’s moral system stands apart from non-Christian moral theories, virtue, consequentialist and deontological. I further maintain that his morality is robust, because it is able to undercut some of the strongest critiques generally (...) made against moral theories: those of inconsistency and selfishness. It is also successful, because it produced fertile cultural movements that continue at present. I conclude, however, that its theistic, kenotic and inverted nature presents a direct challenge to ethical assumptions of today. (shrink)

In all the literature about ethical dilemmas facing the accounting practitioner little attention has been paid to those which arise from the accountant's role in the process of accounting regulation. This treatment explores that role in the light of differing national modes of accounting regulation, economic impact issues in accounting regulation, some ethical principles and a number of different national illustrations. John Blake is Professor of Accounting in the Department of Accounting and Financial Services at the University of Central Lancashire, (...) Preston PR1 2HE, in which Catherine Gowthorpe is Principal Lecturer, while Julia Clarke is a member of the Department of Business Studies, Manchester Metropolitan University, Aytoun Building, Aytoun Street, Manchester M1 3GH. (shrink)

The article presents the results of research on the relationship between social support and self-care of people with myocardial infarction. 127 patients treated in a rehabilitation centre participated in the study. The Inventory of Socially Supportive Behaviours and the Self-care Questionnaire developed by the author, were used. The findings suggest that persons receiving little support are characterised by lower level of self-care than people with medium and high level of support. No such difference was noted between people with medium and (...) high support level. This suggests that social support is of considerable importance for the changes in the level of self-care only in the case of people previously receiving little support. The research also indicates that informational support is related to higher level of self-care whereas instrumental support is related to lower level of self-care. Emotional support was significant only for the care for social functioning. (shrink)

This article describes how admissions auditions at schools of music may demonstrate and participate in what critical race theorist, Gloria Ladson-Billings, calls the full social funding of race. Julia Eklund Koza argues that the construction of musical difference, which is an effect of power and is accomplished by the materialization of styles of music, plays a role in the systemic inclusion or exclusion of people whose bodies have already been raced through a similar process of sorting and ordering. Focusing (...) on the equity implications of an access conundrum that is making many public colleges and universities more exclusionary, Koza advocates listening for Whiteness in admissions processes, not to affirm it, but to recognize its institutional presence, understand its technologies, and defund it. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Place for Healing:A Hospital Art Class, Writing, and a Researcher's TaskJulia Kellman (bio)Introduction[O]bjects transform the top of our chest into a site of memory. I think of private landscapes like this one as querencias, places that hold the heart. The word has been translated as homing instinct and affection. Expatriate Alastair Reid introduced me to it in 1965, writing about the Spanish bullfight in The New Yorker. After (...) the first wound the bull chooses his querencia, the place in the ring where he returns for a moment to rest before the fight goes on, and where he finally dies. Querencia comes from the common Spanish verb querer; among its many meanings are to love, to want, to hold, and to command. Reid spoke of hometowns and native countries as querencias; exiles cling to their memories of them.1Place, "space that has the capacity to be remembered and to evoke what is most precious,"2 by its nature orients us to a particular perspective, to a way of looking at the world. Each place has its own local accent, its own constellation of habits, its own rhythm of language and thought. We are grounded in landscape in the same manner that we are situated in our social world, imprinted like other creatures on a typography, pattern of weather, cycle of seasons, scents, and colors.3Our hearts, too, are embedded in such places; and in this article, through this "act of personal witness," this "inscription of a self and a description of an object" as the anthropologist and writer Ruth Benhar4 describes it, we will see how the members of an art class for people with HIV/AIDS at a local hospital have similarly become grounded in their art space and in the tiny art community that has grown up around it. Additionally, we will discover the importance of a more descriptive style of writing as means for examining the role of art in the lives of people who are ill, for their various difficult [End Page 106] situations call for particular clarity and empathy that both honors and relates the stories of their lives. It will become clear as this article proceeds that the personal engagement of a researcher/writer in such a situation is critical as well. For not only must she be open—vulnerable, as Behar suggests—to the people with whom she works as a means of spanning the chasm between a life of illness and a life of health, but she must also be sensitive to the reader's needs, for she is the reader's guide and surrogate.5 This role as guide and alter-ego demands that the researcher tell the story of other lives in a manner that enables the reader to empathetically and eagerly undertake a journey with the researcher into a world unlike her own.6Personal Engagement: The Researcher/WriterHoward Brody, doctor and medical ethicist, explains the necessity for stories of illness to be descriptive.7 He asserts that the stories in which we are most interested are not merely factual recitations; they are about what the illness means to the individual—they include how that person understands events. "It is far too simple-minded" he writes, to assume that "the writer of literature presents to us a world of fantasy that never existed whereas the author of a nonfictional pathography has some special insight into the world as it really exists, even if the relevant world is nothing but his own subjective experiences."8 He concludes "in stories of that sort (stories of the meaning of things) the line between so-called truth and fiction becomes more blurred and ceases to affect the uses we make of the stories for the deeper understanding of the human response to illness."9 Further, Brody continues, one must understand stories of sickness in order to truly develop a philosophical understanding of what it means to be ill. Such an understanding, Brody suggests, not only provides ethical guidance for health care workers and others but also will lead to improved care for patients and better education of health professionals.10 This view of... (shrink)

Zusammenfassung Sprechen Wissenschaftler üblicherweise vom Platonischen Charakter der Dialektik Schleiermachers, meinen sie deren grundlegend Sokratisch-dialogischen Charakter, zumal Schleiermacher Dialektik als „die Kunst des Diskurses oder des Dialogs“ definierte. Problematisch daran ist nun, daß Platons Dialoge mehr als eine Art von Dialektik aufweisen. Der Aufsatz beginnt mit einem Überblick auf die, in der „Allgemeinen Einleitung“ dargelegten fünf Grunddeutungsprinzipien, die Schleiermachers Interpretation der platonischen Dialektik untermauern, leiten und einschränken sollen. Der Beitrag wendet sich dann den Einleitungen der einzelnen Dialoge zu, um zu (...) überprüfen, wie Schleiermacher diese Prinzipien auf konkrete Situationen bei seiner Bearbeitung eines jeden Dialogs anwendet. Schleiermacher scheint manchmal einfach die eher spekulativen Züge der Platonischen Dialektik zu ignorieren, wie seine Interpretation des Phaidros zeigt. Gelingt es ihm nicht diese spekulativen Züge zu ignorieren, unterdrückt er sie, indem er einen zwingenden Bezug zur dialogischen Form der Dialektik herstellt, wie seine Interpretationen des Sophistes und des Phaidon zeigen. Läßt er dann schließlich einen bestimmten unabhängigen Status der spekulativen Dialektik Platons zu, marginalisiert Schleiermacher die entsprechenden Passagen so, daß er sie ihrer Bedeutung beraubt, wie seine Interpretation der Bücher V–VII der Politeia zeigt. (shrink)